After a decade of gangsta-rap misogyny and metal and punk posturing, virtually the only nice guys left on the charts were the smiley automatons of the boy bands, who were packaged for teenage and preteen listeners. The mark of the new sensitive songwriter is that sooner or later, he finds himself lingering over the words, ''I'm sorry.'' They're atoning not only for their own romantic mishaps but also, in a way, for the surge of machismo in 1990's rock. These guys also do a whole lot of apologizing. Johnson and the other songwriters, the general response is a shrug: ''Times Like These,'' the opening song on his new album ''On and On,'' philosophizes, ''What will be will be, and so it goes.'' Instead of a rallying cry, it's a sop for complacency. In songs like ''Cookie Jar'' and ''The News,'' Jack Johnson worries about violence and callousness in the media. Listen to some of the best new recordings here.Įvery so often, the songwriters bemoan some larger problem.
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Mayer does, ''My stupid mouth has got me in trouble/ I said too much again.'' Taylor and Carly Simon, also released a debut album, ''Famous Among the Barns,'' with unmistakable paternal influences.īut what are younger songwriters, members of the punk and hip-hop generation, doing when they croon about the beauty of their girlfriends and the pain of getting kissed off? Shouldn't they be shouting rather than whispering, toughing things out instead of moaning, as Mr. Both 1970's stars returned to the Top 10 Ben Taylor, the son of Mr.
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Mayer hailed as ''the blueprint'' on the Grammy Awards show, released a new album and a greatest-hits collection, while Fleetwood Mac has re-emerged with an album, ''Say You Will,'' that deliberately echoes its mid-1970's heyday. To heighten the déjà vu, James Taylor, the songwriter Mr. John Mayer, who had been plugging away since the late 1990's, has become a headliner, and alongside him have come strummer-songwriters like Jack Johnson, David Gray, Pete Yorn, Jason Mraz, Howie Day, Jesse Harris, Mason Jennings, Scooter Scuderi, Steven Delopoulos and more.
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Three decades later, sensitive, guitar-slinging nice guys are once again swarming the airwaves, blanketing the concert circuit, accounting for innumerable Internet downloads and easing untold dorm-room seductions. All it takes is turning on a pop radio station or MTV to get the strange feeling that the mid-1970's have returned: the days of post-Vietnam and post-Watergate letdown, oil crisis, unemployment and soothing soft rock to provide consolation for it all. IT doesn't require the Council of Economic Advisers to recognize that the United States is having economic troubles.